| | Description | | Table Of Contents | | Sample Pages | | Excerpt | | Reviews / Awards | | Order This Book |
The Woodcut Artist's Handbook
Techniques and Tools for Relief Printmaking
by George A. Walker, Foreword by Barry Moser
| Firefly Books |
| World rights |
| 09/16/2010 |
| Second Edition, Updated and Expanded |
| Book Website |
| 184 pages, 6 1/4" X 9 1/2" | |||||
| 70 full-color images, 150 black-and-white illustrations, glossary, sources, index | |||||
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Praise for the first edition: "An indispensable guide for those who make art out of the contrast between light and dark. And, it's a sheer pleasure for everyone else, thanks to its many wonderful illustrations." "Walker's instruction is so clear and well organized that this handbook is perfect for the beginner." The history of woodcuts goes back more than a thousand years. Working carefully and with great precision, the woodcut artist carves a mirror image of a design on wood or other suitable material. The design is then inked and pressed against paper. The technique allows the artist to create an almost unlimited number of impressions of the same work. The precision of the work and the ability of the artist to create multiple impressions allow many fine woodcut artists to create pieces at a reasonable price, which an average collector can afford. The Woodcut Artist's Handbook provides the basics of this craft with a detailed analysis of its tools and media. This improved second edition features two new chapters that teach artists step by step how to make an engraving and linocut. Artists can improve and develop considerable skill in this art by following these instructions and the author's professional tips. Beginners and advanced woodcutters and collectors will gain a deeper understanding of and appreciation for this craft and art. This profusely illustrated book is ideal for artists, printmakers, designers and collectors. |
George A. Walker is an award-winning wood engraver, book artist and illustrator who teaches book arts and printmaking at the Ontario College of Art and Design in Toronto, Ontario. He regularly exhibits his wood engravings and limited-edition books internationally. |
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[Review of 1st edition:] How a woodcut is made in clear, easy-to-follow terms... Walker's instruction, in fact, is so clear and well organized that this handbook is perfect for the beginner.
- American Artist 200603
[Review of 1st edition:] Readily accessible to the beginner, who will find the instructions clear and easy to follow. This is a how-to book as beautiful as it is useful.
- Katherine R. Lieber ArtScope.net 2006 01
[Review of 1st edition:] Can a "how-to" guide captivate even those who don't want to know how to? By all means, yes, if [this book] is any indication.... It's an indispensable guide for those who make art out of the contrast between light and dark. And, it's a sheer pleasure for everyone else, thanks to its many wonderful illustrations.
- John Arkelian Artsforum 2006 10 01
[Review of 1st edition:] The book makes clear the form, so simple at first glance, actually lends itself to a wide variety of approaches.
- Jeet Heer enRoute Magazine 2006 02
[Review of 1st edition:] This manual's keynote is exuberance... much of its advice is fresh and inspiring -- particularly about the use of power tools and various kinds of resins as engraving surfaces.
- Jim Anderson Printmaking Today 2006 07
| | Description | | Table Of Contents | | Sample Pages | | Excerpt | | Reviews / Awards | | Order This Book |
